

You can use it to make film soundtracks by syncing the music to a video window, or for putting together the latest Top 40 hit. Midi support is limited – more on this later.Īnother way to explain Audition is to go straight to the Effects sections and have a look at the Reverbs available.īut right at the start it needs to be pointed out that one thing it is not is a midi sequencer like Cubase or Sonar. Reverbs in the audio world can be a benchmark of quality.
#ADOBE AUDITION WON T PLAY SOFTWARE#
They?re difficult to get accurate and are always CPU-intensive, which is why a lot of developers fall short of the mark in the attempts to compromise that quality in favour of overall software performance – a great reverb will chug down any DAW and bring the rest of your project to its knees with it. MenusĪudition 2.0 gives you a choice of three menus. ?Studio Reverb? (strangely enough) is the lesser of the three, providing simple reverbs that won?t tax your CPU too much. The next, ?Reverb Effects? is a lot more comprehensive and is convolution-based, which is kind of like asking Picasso to draw your pictures instead of Mr Squiggle. ?Full Reverb? gives you all the convolution-based options of creating the perfect reverb sound. Now we?re talking Leonardo Da Vinci on steroids.


You take your reverbs very seriously.Īnd this is exactly the type of approach, if you want, that Audition 2.0 provides throughout the software.
